DISCIPLINE DANCE
CURATED BY Mayuri Upadhya
Produced By Serendipity Arts Foundation
15 DEC
2:00 PM - 6:00 PM
Old PWD Complex, Panjim
Please Note: This performance can accommodate a limited audience of upto 15 viewers. Audience will be admitted on a first-come first-serve basis. Please ensure you arrive in advance to secure your attendance at the performance.
Once upon a time... is a dance statement on the power of imagination.
It is a concept that brings together multiple art forms under one roof—dance, storytelling, music, craft, puppetry, illustration and magic.
It gets you curious, makes you wonder, urges you to be inquisitive and most importantly, believe, in looking beyond the ordinary. Through movement art and fairy tales, the concept attempts to show how imagination and creativity is a core essential and if nurtured, can become a strong tool to nurture life skills...
The theme unfolds in a household space, and travels with three dance artistes, each supported by a unique collaborator, narrating a known fairy tale in an unfamiliar fashion. The performance takes the audience into a journey through time and space. The choice of not staging it in a regular proscenium space furthers the thought that creativity is easily accessible to every individual, especially children and intends to infuse their living space with playful enthusiasm.
Dance is used as a medium to visually translate popular fairy tales into the young minds.The process makes them question the plot, offer alternative interpretation, challenge perspectives, be pro-active with the artiste and enjoy live entertainment as an alternate to digital games.
The concept structure is divided into two sections—first a performance followed by a short workshop. The workshop is designed around child-parent interaction and bonding. This is a process using the strengths of performance, leading to creative teaching and movement exploration. This will be an active participatory capsule involving child and parent interaction, which culminates in a role reversal from an audience to a performer.
CAST
Choreography & Dance
Pia Bunglowala, Preethi Bharadwaj, Shruti Suresh
Collaborators
Gagan Kumar, Rohit Bhasi, Priyanka K Mohan, Karthik Kudekallu
Music
Sharath Prabhath, Hriday Goswami
Sound & Script
Shashank L Pathy, Nikhil Nagaraj
Costume Design
Nidhi Chauhan, Sneha & Sukhleen, Shakti Rai
Dramaturgy (for Pia Bunglowala)
Nisha Abdulla
Light Design
Pushan Kripalani
Set Design
Sumant Jayakrishnan
Thanks to Dhurii for rehearsal space support (for Pia Bunglowala).
Disclaimer : The views and opinions expressed in any performance, artwork or installation do not reflect the official policy or position of the institution.
Vinyasa is a style of yoga characterised by stringing postures together so that you move from one to another, seamlessly, using breath. Commonly referred to as 'flow', power yoga...
In Indian classical dance—literature, music and dance are woven together into a beautiful tapestry of emotions. Bhava, or feeling, is an important component in dance. Even in the...
A series of two performances and a panel discussion curated on the theme of ‘Identity’ by Leela Samson.
What humanity faces today is the result of our day-to-day karma. For the most part, it is us, humans, who are the reason for natural disasters. How can art play a role in reversing this trend, in...
Art is a reflection of human emotions. Human emotions are based on the lifestyle, society, profession, natural atmosphere and the fertility of the particular land. Tamil culture speaks...
A comprehensive presentation of three forms of Chhau: Seraikella, Mayurbhanj and Purulia. Each style is distinct, drawing from the rich traditions and history of their respective regions of origin...
A performance of select scenes from the epic Ramayana, narrating the spurning of Suparnakha by Rama and Laxmana, which instigated the abduction of...
As an artiste, Mayuri Upadhya has witnessed and participated in festivals where dance is defined only by its form and skill. As a curator, her desire is to break that pattern and go beyond. The...
Maher community belongs to the Saurashtra region of Gujarat, and have played a major role in the 1600 years history of the region. Traditionally a warrior community that turned settled...
Conceived at a farmhouse in the small town of Kamshet, The Kamshet Project experiments with transitioning realities. Nine highly skilled dancers were put under house arrest and cut off from all...
Two select dance productions, ‘Maanini’ and ‘Red Dress Wali Ladki’, curated by Mayuri Upadhya on the theme of ‘Reflections of Time’.
Bharatanatyam has seen tremendous growth in the past decades or so, from its original format as Sadirattam, and after it was rechristened as Bharatanatyam and now to its modern avatar—it is...
Red Dress Waali Ladki, was born out of the Diya Naidu’s response to the brutal crimes against women in India. Through the research and introspection that went into making the work, she...
Intended for students of dance, young athletes and sports enthusiasts, the workshop will focus upon specific body conditioning for improving flexibility of joints and muscle groups; increasing...
"Beyond the boundries of mortal exsistence! Enraptured in Eternity!" A performance by India's first transgender Bharatanatyam dancer Dr. Narthaki Nataraj, depicts...
Bhamakalapam/Navajanardana parijatham, is a story about Sri Krishna and Satyabhama. Satyabhama is a distinct prabandha nayika (key female protagonist) in Telugu literature. The role of Satyabhama...
An in-depth lecture exploring the legend, history, styles, influence and decadence of the discipline of Kalarippayattu, which will be explained with the aid of projections. While explaining the...
Please Note: This performance can accommodate a limited audience of upto 15 viewers. Audience will be admitted on a first-come first-serve basis. Please ensure you arrive in advance to secure your...