19 DEC
4:00 PM - 5:30 PM
The Little Red, INOX Courtyard, Old GMC, Panjim
An in-depth lecture exploring the legend, history, styles, influence and decadence of the discipline of Kalarippayattu, which will be explained with the aid of projections. While explaining the four pedagogic parts of Kalarippayattu, live demonstrations will follow, concluding with a Q&A session.
Disclaimer : The views and opinions expressed in any performance, artwork or installation do not reflect the official policy or position of the institution.
Vinyasa is a style of yoga characterised by stringing postures together so that you move from one to another, seamlessly, using breath. Commonly referred to as 'flow', power yoga...
In Indian classical dance—literature, music and dance are woven together into a beautiful tapestry of emotions. Bhava, or feeling, is an important component in dance. Even in the...
A series of two performances and a panel discussion curated on the theme of ‘Identity’ by Leela Samson.
What humanity faces today is the result of our day-to-day karma. For the most part, it is us, humans, who are the reason for natural disasters. How can art play a role in reversing this trend, in...
Art is a reflection of human emotions. Human emotions are based on the lifestyle, society, profession, natural atmosphere and the fertility of the particular land. Tamil culture speaks...
A comprehensive presentation of three forms of Chhau: Seraikella, Mayurbhanj and Purulia. Each style is distinct, drawing from the rich traditions and history of their respective regions of origin...
A performance of select scenes from the epic Ramayana, narrating the spurning of Suparnakha by Rama and Laxmana, which instigated the abduction of...
Please Note: This performance can accommodate a limited audience of upto 15 viewers. Audience will be admitted on a first-come first-serve basis. Please ensure you arrive in advance to secure your...
As an artiste, Mayuri Upadhya has witnessed and participated in festivals where dance is defined only by its form and skill. As a curator, her desire is to break that pattern and go beyond. The...
Maher community belongs to the Saurashtra region of Gujarat, and have played a major role in the 1600 years history of the region. Traditionally a warrior community that turned settled...
Conceived at a farmhouse in the small town of Kamshet, The Kamshet Project experiments with transitioning realities. Nine highly skilled dancers were put under house arrest and cut off from all...
Two select dance productions, ‘Maanini’ and ‘Red Dress Wali Ladki’, curated by Mayuri Upadhya on the theme of ‘Reflections of Time’.
Bharatanatyam has seen tremendous growth in the past decades or so, from its original format as Sadirattam, and after it was rechristened as Bharatanatyam and now to its modern avatar—it is...
Red Dress Waali Ladki, was born out of the Diya Naidu’s response to the brutal crimes against women in India. Through the research and introspection that went into making the work, she...
Intended for students of dance, young athletes and sports enthusiasts, the workshop will focus upon specific body conditioning for improving flexibility of joints and muscle groups; increasing...
"Beyond the boundries of mortal exsistence! Enraptured in Eternity!" A performance by India's first transgender Bharatanatyam dancer Dr. Narthaki Nataraj, depicts...
Bhamakalapam/Navajanardana parijatham, is a story about Sri Krishna and Satyabhama. Satyabhama is a distinct prabandha nayika (key female protagonist) in Telugu literature. The role of Satyabhama...
Please Note: This performance can accommodate a limited audience of upto 15 viewers. Audience will be admitted on a first-come first-serve basis. Please ensure you arrive in advance to secure your...